This interview was conducted prior to Paracon at Pennhurst State School and Hospital, where I will be selling books on August 18th and 19th.
In the 5 months since you released The Rules of the Game, where are you in your current writing on the follow up to it, Dead Mouths, and Eureka in Flames? Right now, I feel like I’m dividing my time into segments of reading, writing Intersections, blogging about Parkinson’s disease in 2 different places, and writing my Parkinson’s book Real Life Monsters. Fortunately for the writing, I’ve been stuck indoors all summer due to a combination of excessive heat and hyperhidrosis, which is a condition that comes with Parkinson’s. It's kind of like a free toaster. Take a day like today. I’m indoors in the high 70s, and I’m roasting like a pig. In the solid 80s and 90s, I’m a sweaty mess. The best thing to do on a day like today is something that involves air conditioning. Unfortunately, this means I can’t hike the way I did before, so that part of my writing topics has taken a backseat to stuff about current issues. Here’s to better weather and more travels in the autumn. That said, being active sure beats ballooning up to way too heavy a weight (he says as he contemplates getting out more to shrink down again).
In the 5 months since you released The Rules of the Game, where are you in your current writing on the follow up to it, Dead Mouths, and Eureka in Flames? Right now, I feel like I’m dividing my time into segments of reading, writing Intersections, blogging about Parkinson’s disease in 2 different places, and writing my Parkinson’s book Real Life Monsters. Fortunately for the writing, I’ve been stuck indoors all summer due to a combination of excessive heat and hyperhidrosis, which is a condition that comes with Parkinson’s. It's kind of like a free toaster. Take a day like today. I’m indoors in the high 70s, and I’m roasting like a pig. In the solid 80s and 90s, I’m a sweaty mess. The best thing to do on a day like today is something that involves air conditioning. Unfortunately, this means I can’t hike the way I did before, so that part of my writing topics has taken a backseat to stuff about current issues. Here’s to better weather and more travels in the autumn. That said, being active sure beats ballooning up to way too heavy a weight (he says as he contemplates getting out more to shrink down again).
Tell
us about Real Life Monsters. Real Life Monsters
is essentially the story of real life cognitive issues, hallucinations, lucid
and weird, occasionally violent dreams, tremors, dystonia, medical side
effects, bradykinesia, hyperhidrosis, loss of hearing, loss of smell, reactive
depression, aspiration pneumonia, Lyme disease, swallow studies, weight gain,
and a lot of other side effects from Parkinson’s, which I detail HERE.
It’s about a lot of peripheral life changes, too, but most importantly, it’s a
survival story about getting beyond Parkinson’s disease and the day-to-day and
what’s to come life of it. It’s about friends, family, and a wife that loves me
through and in spite of a lot of neurological poop. It’s about doctors and
organizations that make a difference in my life. It’s about rewiring myself
differently in a post-teaching world to still be who I am. Most importantly, it’s
about sharing my influences and the thoughts of others to help you survive your
Avalanche Day, too.
For those who are worried, how does Parkinson’s affect your writing? It slows down my typing from 80-60 words a minute on good days. Some days, my fingers feel more plodding, but when I’m on fire and my hands are loose, I’m flying. Sometimes, I go word fishing, but mostly, I’m good to go when I edit and MaryAnn, who is awesome, helps edit for me. Most likely, my walking will be affected before the rest of the writing game, so yeah… Blackrock keeps moving forward.
With
bouncing back and forth, are you happy with the paranormal writing? As
for the Intersections stuff, I’m
happy with where it’s at in that Navy SEALs meets the X-Files kind of way. The story begins with Bart Doherty and a host of new
characters. Most notably, he is back with his former trainer Jude, a nun named
Esmeralda, and a trio of kick ass gals: Alexis, Chloe, and Nhung. The first 2
of these are named after my cousin’s daughter and my niece. Colin’s brother and
my other nephew, Dylan, will also have a character as will by nana’s side of
the family (Feinauer). Additionally, the Demon Hunters of Dodge County are
back, as are many of the other characters from before, most notably Charles
“Chuck” Jones. Following through on the Our Lady of Guadalupe issues is the
tale of Benson Villaneuva.
Is
there any kind of a deadline that you’ve imposed on yourself for finishing
this? I think a lot of that depends on where things go with
Bart’s story. Liam and the “Dylan” character are essentially a known quantity /
ending that just has to be typed. Bart’s story is the long one in all of this.
The question becomes is this book a shorter pre-Intersections book where S1 moves into place at Blackrock or is
this a huge mega tome that answers everything from what becomes of all of the
clairvoyant dreams, all of the backstories (most notably Mormon Creek), and
resolves how every character intersected. To me, that’s about 800 pages… at
least. I’m at 250. If I go the long direction, I’m hoping to be done by middle
next year. If at all possible, another book by Christmas would be nice, but the
first finished book has to be my Parkinson’s autobiography / philosophical
work.
You’ve
been diversifying your characters more in this new book, as well. I
have. With the S1 mission in The Rules of
the Game, it felt a lot like Boy’s Club; however, Allison and Maggie were
really great characters in Eureka in
Flames. Suzie Heilman is a fan favorite in Dead Mouths, and she comes back
with a boom in The Rules of the Game.
For Intersections, it was important to get Jude’s team going, if only to have Bart smack talk with Baphomet (really) and then have a crew to get him off the hook. It’s important to
establish more of the story with Charlotte Robinson and Amanda Jones. It’s also important to create a
starting point for Ouray. Vincent Littleman and Jackie Lucas need their stories
told, and so do some new characters who are also associated with Jude’s crew. The
point is to make the world of Blackrock more representative of the real world.
Unfortunately, in the real world, some of the problems these people face are
difficult to write about in a politically-correct sense.
How is that? On one hand, it’s never easy to write the vicious murders, so I’d rather just imply what happened. To be honest, I don't like that gory stuff at all. That was really tough to do in Dead Mouths. I remember taking a month off from writing after a minor character died. With main characters in harm’s way, it’s going to be tough to kill them off, as well. In Dead Mouths, it was hard to say goodbye to some people who were supposed to be quick exits or passing mentions. That became Chuck Jones and Suzie Heilman, though she was never supposed to die. Now, Sean “Big Dig” Carruthers and Benson Villaneuva are major players. Eventually, Patricia Kingman’s “All the Angels in Heaven” and Earl Johnson’s “Lost in the Storm” will see them become characters, if only for a short time. The same is true for an as yet to be named “follower” of artist Hieronymus Bosch.
So
all of your passing mentions are… Fully realized, but
unrealized characters, yes. Most of them anyway. Billy Padres and Kevin McGinn
are back. For those who don’t remember, they were hiking friends of Suzie. Billy
Boot is now a major character. Visions of Clouds, the Native American Shaman
who killed the 3 babies ages ago, is back to explain his side of the story.
On
why he was so horrible? The one thing here that’s important
to remember with almost all of the characters is that they’re a mix bag of
beautifully imperfect mistakes. Someone can be largely good, but do something
horrible. For instance, Tony Lucas’s slip of feeding into the young
African-American kid’s inciting him is going to come back to haunt him and put
him through Hell. To fully develop and do what he needs to do, Lucas HAS TO go there. Little things that get
explained away easily, Lucas’s feelings on God and people who defend Tony, aren’t
going to solve the greater Tony. For this, he has to do penance and suffer
while finding who he is.
With Lucas, he seems to be a favorite, as is Bart, and at times, they are uncouth, but generally, most of them is likable. Yes, this is true on both accounts, but in a world of beautifully imperfect, some otherwise great people harbor racism. Some people poke at that like it makes the whole person suck. To me, it's just not that easy. As Kurt Vonnegut felt, it's hard to write a complete hero or villain. It's hard to live angelic. Too many people talking crap, doxxing others, and excluding people think their poop doesn't stink. Methinks they should smell it some time. They might be surprised. As for expressing racist characters, it's hard to write around words I don't want to use. Something like "cracker," to me, is funny, but a lot of other words for other groups come with a sting or a slam. That said, with so many hateful, prejudiced, and misogynistic characters in the Blackrock world of diversity, it is a challenge. Adding current events in characters like Pyotor Osokin to the mix let the Russia thing work into the story. That said, the President won't be in this.
With Lucas, he seems to be a favorite, as is Bart, and at times, they are uncouth, but generally, most of them is likable. Yes, this is true on both accounts, but in a world of beautifully imperfect, some otherwise great people harbor racism. Some people poke at that like it makes the whole person suck. To me, it's just not that easy. As Kurt Vonnegut felt, it's hard to write a complete hero or villain. It's hard to live angelic. Too many people talking crap, doxxing others, and excluding people think their poop doesn't stink. Methinks they should smell it some time. They might be surprised. As for expressing racist characters, it's hard to write around words I don't want to use. Something like "cracker," to me, is funny, but a lot of other words for other groups come with a sting or a slam. That said, with so many hateful, prejudiced, and misogynistic characters in the Blackrock world of diversity, it is a challenge. Adding current events in characters like Pyotor Osokin to the mix let the Russia thing work into the story. That said, the President won't be in this.
On another note, did
you know that these stories would be the way they played out before you wrote them? Most times, no. I had
created an end game, but I let the natural course of characters’ lives and my
imagination change this as it needed to be. As I’ve said before, the original
outline was broken into a million shards before Dead Mouths ever became more than
a few passing chapters. Yes, there’s a lot of foreshadowing in the books now,
and this leaves some things as is, but other things change to fit
understandings. Visions of Clouds is a perfect example of this revelation
working out in just the right way. This way affects 2 other characters in a
huge way, as well.
This
time around you are featuring a character with Parkinson’s. Tell us about that.
Right now, Frankie Jenkins, who is a guy with young-onset Parkinson’s disease,
is associated with Noël Legendre, who is a haunted tour guide in New
Orleans. A collective of Creoles is attacked by some baddies. I won’t elaborate
on that, but I will say it gives me a chance to bring some heavy,
unconventional anti-paranormal fighters into the mix. Frankie will fit into that well in the way that he has a disability, but he isn't treated with kids' gloves.
You
were really influenced by New Orleans. Granted, you were there before, but
never took to it like this. I was, and I loved it. I loved the
cemeteries and Bourbon Street, but I never really saw the city properly until December. This
time I did. There are a few posts I recommend on the city. The first is my
story of the highlights
and the post vacation sickness (aspiration pneumonia). The second was the description in Rules of the Game, which is excerpted HERE.
The final post is located HERE.
I would love to go back for a few more days to see a few more things, but my
wife said that we just went there. But did we see enough of Metairie Cemetery? The
other half of Lafayette Cemetery? Did we sees enough gators? Did we drink Hand
Grenades? See the Hurricane Katrina stuff? The War of 1812 stuff? The Voodoo
Museum? Did we see a show in Preservation Hall or anywhere else? Play bongos in
Congo Square? Go to a club named after Louis Armstrong, where he wasn’t allowed
in? See a Mardis Gras parade? See the European side of the World War 2 Museum? Get
thrown out of Marie
Laveau’s House of Voodoo for daring to take a picture of the huge
statue of Baphomet (I kid, I kid, but seriously, that statue took a lot of time for someone to extol the virtues of a hermaphroditic expression of the sabbatic goat - if anything deserves mockery, it's Baphomet)? Do a tour in Ursuline Convent to check out the vampire myths?
Spend enough time at the site where the Carter
Brothers performed their vampiric dastardly deeds? Do a competing haunted
tour of NOLA? Go to more historic plantations? Go back to Houmas House? Go to a
New Orleans Saints game? Ride in a horse-drawn carriage? Since the answer is
“no,” then my wife must accept that we need to go back there. Besides, after
revisiting San Francisco this year, I no longer feel that city competes for coolest in
America. Granted, I still need to see Seattle, Savannah, and Portland, but only
D.C.’s monuments / historic side fits the bill right now. That said, like
Baltimore, it’s more for tourism and entertainment. I realize both cities have
problems with crime.
Where else would you like to go? The Faroes / Scottish Islands + Iceland, back to the Colorado Plateau for the World Petroglyph Tour, Oregon / Washington's border, and Italy / Vatican City. Oh, and who could forget Bora Bora.
Where else would you like to go? The Faroes / Scottish Islands + Iceland, back to the Colorado Plateau for the World Petroglyph Tour, Oregon / Washington's border, and Italy / Vatican City. Oh, and who could forget Bora Bora.
Back to your story... the
dreams that your characters feel are very important, too.
Yes, this is something that comes out of my lucid dreams, which Parkinson’s
makes possible. I just turn them up to 11 with the fictional details of Our Lady of Guadalupe. This is
actually modeled on a mix of clairvoyance, astral projection, and what I go
through with my Parkinson’s, which is called REM
sleep behavior disorder. Not to forget fluctuating dopamine levels, which
also make dreaming like Eternal Sunshine
of the Spotless Mind or a full-fledged boxing match.
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